by Ben Reinhardt Thu Jan 22, 2015 3:54 am
finarashi wrote: gester wrote:Back in the 60's you would see Hane Goshi being used in competition. It is not seen nowadays. Why?
I've read that rule changes and gripping changes are the cause, but no explanation is given.
Maybe over time it just fell out of favor.
Any thoughts?
Maybe it is because even harai-goshi is very seldom used in modern competition.
I think that one issue with Harai Goshi/Hane Goshi is that it requires a bit deeper entry which equates to more time, and thus more time for opponent to react. Uchi Mata does not require tori to cover so much distance to make an attack, effective or otherwise.
Now, I'm not old enough to remember when Hane Goshi was popular as a competition throw. My impression is that in the past, as today, there were "fad" throws, and Hane Goshi was one of them. I trie for a long time to use Harai Goshi as a competition throw, and found that besides no doubt needing more technical skill, it tended to give uke more "surface area" to hip block against than Uchi Mata. Which is usually what happened to me, LOL, when I tried Harai Goshi, and I tried it a LOT.
Further, Uchi Mata is a force couple type throw, and hence requires less to zero "kuzushi" than than for Example Harai or Hane Goshi, which are both "lever" type throws.
I'd think that some rule changes might favor the two throws, such as no more Sukui Nage/Te Guruma as counters (touching below the waist), making the longer entry times (in general, not always) less risky.
What is more puzzling to me is that "unstable" forward quadrant throws (there's a Gleesonian term for you) done balanced on one leg, such as Uchi Mata, are and were popular and effective even when Sukui Naga/Te Guruma was legal and common in competition.
Hane Goshi is fun to do though, especially when just doing nage komi, moving around the tatami and trading throws.