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    Kashiwazaki Ne-waza instructional video.

    The_Harvest
    The_Harvest

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    Post by The_Harvest on Thu Jan 03, 2013 5:48 am






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    23 For all have sinned, and come short of the glory of God; 24 Being justified freely by his grace through the redemption that is in Christ Jesus:25 Whom God hath set forth to be a propitiation through faith in his blood, to declare his righteousness for the remission of sins that are past, through the forbearance of God;26 To declare, I say, at this time his righteousness: that he might be just, and the justifier of him which believeth in Jesus.
    Roman 3:23-26


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    9 Not of works, lest any man should boast.
    Ephesians 2:8-10
    Freelancer
    Freelancer

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    Post by Freelancer on Sat Mar 23, 2013 8:07 am

    Here's the full video:


    It would be wonderful if somebody would translate it.


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    Wayne Gretzky
    cuivien
    cuivien

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    Post by cuivien on Sat Mar 23, 2013 8:28 pm

    Freelancer wrote:
    It would be wonderful if somebody would translate it.

    Indeed. However, the time and effort needed for a single individual to translate a 2+ hrs video is far beyond what anyone who has not tried their hand at translating understands. A couple of years ago I was part of a 3-man-team who translated 青木真也 Aoki Shinya's instructional video (link here if interesting). We didn't get any money for this, as it was intended for distribution inside our club only, and we primarily worked after school. Still, it took almost 4 months of work Neutral

    There is a number of excellent instructional materials (not just from Japan) who will probably go untranslated forever.. Crying or Very sad


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    judoratt
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    Post by judoratt on Sun Mar 24, 2013 4:14 pm

    Great videos a picture tells 1,000 words. I wouldn't want these translated. There is some great judo here. sunny
    Freelancer
    Freelancer

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    Post by Freelancer on Mon Mar 25, 2013 10:26 am

    judoratt wrote:Great videos a picture tells 1,000 words. I wouldn't want these translated. There is some great judo here. sunny

    Without translation we might miss some important details, wouldn't you agree? Or I might miss them, anyway, since I don't have as much experience as you. Smile


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    "You miss 100% of the shots you don't take."

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    judoratt
    judoratt

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    Post by judoratt on Mon Mar 25, 2013 11:03 am

    Freelancer wrote:
    judoratt wrote:Great videos a picture tells 1,000 words. I wouldn't want these translated. There is some great judo here. sunny

    Without translation we might miss some important details, wouldn't you agree? Or I might miss them, anyway, since I don't have as much experience as you:)

    There is two hours of world class judo, just take one move and work on it, I think everything you need is there.
    I bet I have sat through 100 demonstrations not in english and usualy get alot out of it. Put the video of one move you want to learn on your lap top and take it to tha dojo and figure it out. I just don't think Kashiwasaki needs to be transulated. Smile But then again what do I know. Smile
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    Taohn

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    Post by Taohn on Thu Jun 13, 2013 2:46 pm

    Freelancer wrote:Here's the full video:


    It would be wonderful if somebody would translate it.




     
    Yeah, I've been meaning to get around to it for some time...Always loved Kashiwazaki.  Guess now is as good a time as any.
    Pictures do tell a thousand words, but he is talking for a reason Smile

    Anyway, here's the first part. I'm working with the DVD so the time codes might be a couple seconds off. If somebody wants to use youtube's caption function with my translation and re-upload that full length video, feel free (timing is a lot of work!).

    Intro and Osaekomi:


    250
    Among the techniques of judo, it has long been said that groundwork is a battle of intelligence.
     
    Developing new techniques and refining them on one’s own, and then adapting them to the partner’s movements…
     
    That’s where the fun of groundwork lies and that’s where I focused my efforts.
     
     
    314
    Part 1: The Fundamentals of Osaekomi (Pins)
     
    318
    Osaekomi Fundamentals and Transitions
     
    323
    Yokoshiho-gatame (side control) 1
     
    328
    I’ll now explain my thinking on the fundamentals of groundwork.
     
    Groundwork includes, osae-waza (pins), shime-waza (chokes and strangles), and kansetsu-waza (joint locks), but among these, I think pins are the fundamentals of groundwork and that yokoshiho-gatame (YSG hereafter) is the most basic of these.
     
    From YSG, it’s very easy to transition to tateshiho-gatame (mount; TSG hereafter) or kuzure kamishiho-gatame (modified north-south; KKSG hereafter).
     
    For that reason, I view YSG as the centre point of groundwork.
     
    409
     
    There are many forms of YSG.
     
    Holding the head with a hand between the legs…
     
    Gripping the hem of the partner’s gi to control the hips…
     
    Applying a joint lock, keeping one’s balance like this….
     
    There are many forms of YSG, but, for me, gripping the belt with the arm over the shoulder, like this, is the fundamental one.
     
    This is because your power applies directly to the partner when gripping the belt and you can control the movement of his hips to a degree.
     
    Like this…Move a bit…
     
    Just like that
     
    516
    There are two essential points when it comes to pins.
     The first is to use your strength to immobilize a single part of your partner’s body. You do use strength, but it’s important to apply it to your partner efficiently.
     
    535
    The second point is to maintain your balance.
     
    In the case of YSG, you’re already using your right hand. Pulling your partner’s belt towards you, you secure his shoulder and lower back.
     
    You keep your balance with the left hand and right foot.
     
    You plant the sole of your foot solidly on the mat to brace yourself.
     
    If your partner tries to roll you over (teppo-gaeshi), you resist like this.
     
    615
    If you extend your left leg to keep your balance, he’ll trap your leg.
     
     
    628
    This negate the pin.
     
    So, keep your left leg under your body as much as possible, like sitting in seiza (on your shins).

    I tuck my leg away and keep my balance with my right foot and left hand.
     
    One more time.
     
    In this position, I pin my partner.
     
    Struggle a bit, please.
     
    705
    If you get up on your toes, your hips will float up like this. If you keep your foot flat, your hips will settle solidly into this position.
     
    So that’s why you should keep it in this position. If you go up on your toes, your hips come up and it will be easier for the partner to grab your ankle.
     
    731
     
    It’ll be easier for him to trap your leg.
     
    For that reason, I think it’s best to pin him like this, keeping the foot flat and laying your weight on him.
    750
    However, if the partner’s arm slips out while you’re moving…out to your side like this,
     
    then the ideal position for your legs is this.
     
    Bend at your right knee and try to pinch his arm and face together, keeping your balance like this.
     
    822
    Yokoshiho-Gatame 2
     
    It’s very easy to transition between YSG and KKSG. Or rather, if you’ve got YSG down, you’ll definitely have to make use of this transition.
     
    845
     
    When in YSG, most guys will try to trap you leg.
     
    If he grabs your ankle---or your pants--- you’ll lose your strength in your leg.
     
    So, as soon as the partner gets his grip, I quickly do koshikiri (switching base).
     
    925
    By doing koshikiri, I can break his grip.
     
    One more time.
     
    My partner got my ankle.
     
    I switch my base and break his grip.
     
    943
    After that, my balance is bad in this position, so I switch to KKSG.
     
    I’ll do it in one continuous motion.
     
    I got the pin, and he grabs my ankle. Break the grip, and back. Just like this.
     
    1011
    Switching base is an absolute necessity in groundwork.
     
    1027
    In this kind of YSG…
     
    The partner will try to roll you over this way.
     
    When this happens, your right leg is bent, so you can’t keep you balance that way. You have only your left hand.
     
    1049
    Therefore, I take the opportunity to transition to TSG.
     
    1056
    Kuzure Kamishiho-Gatame (KKSG; modified north-south)
     
    1100
    I’ll now go over the main points of KKSG.
     
    1108
    With my right arm, I go over the partner’s shoulder and grip the belt.
     
    My left hand goes under his near arm and grabs the collar, or…
     
    Grips the belt along with my other hand.
     
    1132
    What’s really important is your legs, which are maintaining your balance.
     
    I extend my right leg like this, bend my left leg deeply, and make an “L” with that ankle.
     
    Just like this.
     
    If you fold your leg under yourself like this…. when the partner bridges into you,
     
    you won’t have good balance, so make a nice, strong “L” with your ankle to maintain the position.
     
    There are also some people who extend their legs like this.
     
    It should be okay if you’re heavy, but if you’re a lightweight and extend your legs the partner will immediately go after your leg.
     
    Therefore, I consider this to be the ideal position for the legs.
     
    1223
    I’ll explain a little more about the hand gripping the belt.
     
    When the partner is very large…
     
    If my arm is all the way over his shoulder, sometimes he can use my own hand as a pivot and roll me over.
     
    1248
    If he’s very heavy or has a large frame, little by little I slide my arm up like this.
     
    So when he tries to turn over, I can stop him at this point.
     
     
    1305
    However, if your partner is a thinner person, having your arm here will allow him to slip out his shoulder and elbow.
     
    So I feel it’s better to pin smaller people with the arm solidly over the shoulder.
     
    If he’s a little bigger, slide it up a little.
     
    These are the main points for KKSG.
     
    1335
    Kamishiho-gatame (North-South; KSG hereafter)
     
    1340
    I’ll now explain the main points of KSG.
     
    In KKSG, I gripped over the partner’s shoulder, but in KSG I go over his upper arm and grip the belt on the side.
     
    Same with my left arm.
     
    1405
    In KSG, I can prevent my partner from rolling me over because I go over the upper arm to control my partner’s arms. So it’s an ideal technique for a small person to pin a large person.
     
    1423
    Just like this.
     
    As for my legs, I make an “L” with my ankles to keep my balance.
     
    I often see people who extend their legs back like this. They have no stability here.
     
    1441
    If they get twisted, they go right over.
     
    Also, if you do this your hips will be high and it will be difficult to keep your balance. It’s a very weak position if you get twisted.
     
    1500
    Therefore, get a nice bend in your ankles and, using both hands to pull the belt towards you, and control the partner.
     
    Move  a bit.
     
    ….
     
    Just like this
     
    1519
    If the partner is big, sometimes you can raise your hips up high like this to put all your weight on his chest.
     
    Because both your knees are off the mat, it’s easier to keep your balance.
     
    1545
    Just like that, I adjust to my partner’s movements so that our bodies are always in a direct line.
    That’s how you’ll maintain your position.
     
    1558
    This is the ideal way to maintain control with your upper body, but there are people who go over the shoulders as in KKSG.
     
    1618
    If you do this, the partner can escape using his shoulders.
     
    1638
    Just like that, he can escape using the strength of his shoulders, so be sure you go over the upper arm.
     
    1649
    Transitions from Kamishiho-Gatame
     
    1655
    I’ll now introduce some basic transitions from KSG.
     
    1707
    I have my partner in KSG, but if he gets his shoulder out….like this…
     
    Keeping tight, I transition to KKSG.
     
    I adjust the position of my legs and my body (so that we make a chevron shape)
     
    1734
    If my partner if even stronger…
     
    I quickly get a tight underhook on his arm and, keeping hold of the belt, transition to an armbar.
     
    1748
    Tateshiho-Gatame (TSG; Mount)
     
     
    1752
    Let’s move on to TSG. It’s very difficult to maintain your balance in TSG, but if you get the hang of it, it’s a very effective position.
     
     
     
     
    1808
    There are many ways to control the partner’s upper body in TSG. For example, like how you would in kata-gatame (arm triangle).
     
    Or wrapping his head like this and gripping you own belt.
     
    However, I recommend this control because it makes it easy to transition to different positions.
     
    1836
    I go over the shoulder and grip the belt at the lower back. Like this.
     
    I underhook his arm and maintain my balance with my hand and foot.
     
    1854
    This control is very convenient for transitioning to YSG and, from there, to KKSG.
     
    1903
    As for lower body control, I adjust based on my partner’s movements.
     
    1914
    For example, if he makes a big bridge, I grapevine his legs.
     
    1925
    Or I can cross my feet under his rear to control his hips.
     
    1936
    The partner might also bridge on a diagonal.
     
    1950
    I fold my right leg and cup his side with the sole of my foot.
     
    I sandwich his head and shoulder between my knee and arm.
     
    This is a very strong pin.
     
    2026
    Since it is quite difficult to maintain your balance, sometimes the partner will escape on you.
     
    You will definitely need to be able to make the following kind of transition.
     
     
    2042
    My partner bridges.
     
    If my grip breaks because of a strong bridge…
     
    I get my hand out and wrap up my partner’s arm.
     
    I go with it, lowering myself forward…and apply a joint lock.
    2118
    Or, if he bridges into me on the other side, I spin around and go for the armbar.
     
    2125
    Kesa-Gatame (Scarf Hold/Head and Arm) – Kata-Gatame (Arm Triangle)
     
    2130
    I’ll now explain kesa-gatame. This is usually the first pin beginners learn, but actually it’s very difficult.
     
    I don’t think it’s a suitable control for a small person against a large person. But it’s very effective in the reverse situation.
     
    2145
    What you immobilize is the partner’s arm. You pinch it against your side, grip the gi like this, and control him.
     
    You keep your balance with both legs and your right hand.
     
    2212
    So if your legs end up like this, you’ll have bad balance. So keep your legs wide and bring your heel close to your rear.
     
    There are people who hug the neck like this. If you do this and the partner grips your belt and tries to roll you over, you won’t be able to keep your balance. So I would avoid hugging the neck.
     
    Pinching the head lightly is enough. If he tries reverse you, you can quickly release your hand to post.
     
    2302
    Moving on, I’ll now explain kata-gatame.
     
    2313
    This is the basic position. However, if you apply your pressure to the base of the shoulder...right here…, the partner will escape by rolling backwards.
     
    2340
    So, rather that the shoulder, you should put pressure on the upper arm and neck.
     
    Like this. To prevent his rolling backwards…
     
    I put my right knee on his hip bone.
     
    2417
    Or I can grip my own lapel and maintain my position…like this.
     
     
     
     
     
    2427
    Ushiro Kesa-Gatame
     
    2431
    Now I’ll explain kuzure kesa-gatame (modified scarf hold). In the International Judo Federation’s terminology, it’s known as ushiro kesa-gatame (rear kesa-gatame).
     
    2441
    The basic position…is like this.
     
    However, I don’t consider this to be a very stable pin.
     
    It’s all right in the middle of a transition to, for example…KKSG.
     
    2516
    Or, sometimes you pin the partner by pinching his arm to your side like this.
     
    However, this too is by no means a stable position and you’ll need to transition.
     
    For example, from here you could move up into KKSG.
     
    2545
    There are other odd variations…For example, while applying a joint lock…
     
    This is also falls under the category of kuzure kesa-gatame.
     
    2608
    Uki-Gatame (Floating Hold)
     
    2612
    I’ll explain uki-gatame now.
     
    2618
    This pin is not recognized under the Kodokan rules. It’s only used under international rules.
     
    Usually, you’ll be trying for the armbar. The partner makes a strong defense.
     
    When you can’t get the armbar from this position, you transition into the pin.
     
    2641
    While controlling his legs with your elbow, you bend your leg like this and enter into the pin.
     
    As you can see, it’s not stable at all. However, because the referee must call the pin, the partner will probably release his hands. At that moment, you transition to the armbar.
     
    Rather than as a technique to win by, you should think of it as a transitional position for getting the armbar.


    How to Use the Legs:


    2720
    How to Use the Legs
     
    2722
    I’ll now explain how to make use of your legs.
     
    Using your legs to stay square with your partner is essential for people who use groundwork.
     
    Let’s get started.
     
    2735
    I start squared up with my partner like this. At first I have him move around.
     
    2747
    I move my body so that I always stay square with him.
     
    This is the most basic kind of practice.
     
    Once you can do that, next you have him use some feints.
     
    2811
    At some point, your partner will get around your legs.
     
    Something like this.
     
    When this happens I can’t use my right leg anymore, so I place my left foot here.
     
    And then I bring my right leg through and out.
     
    One more time.
     
    2835
    I’ll do it on the other side.
     
    2841
    Like this, I always try to stay square with my partner.
     
    2848
    When your opponent gets past, bring you leg over and shift your hips to square up.
     
    Practice this a lot.
     
    Once you’ve mastered that, you can go on to the next stage.
     
    2905
    Just as with tachi-waza, there’s grip fighting in groundwork too.
     
    My partner grips my knees. In tachi-waza terms, I’ve been out gripped.
    Or if I get my leg underhooked…Here I’ve completely lost the fight for grips.
     
    You have to avoid these situations. To that end, I drill these motions.
     
    2942
    Just like that. Let’s slow it down a bit…
     
    First, I use one of my legs to push my partner backwards to make some space…
     
    Yes, come forward a bit, please.
     
    Faster…
     
    Faster…We have a race.
     
    3006
     I push him way firmly to make space and bring my leg around quickly.
     
    3017
    You guys probably do this kind of exercise quite often.
     
    You it it in the situation we just discussed.
     
    3032
    Next, is if your partner grips your knees.
     
    This is an extremely dangerous situation. My partner will push down my knee…and attack.
     
    So if he gets grips on your knees…practice placing your foot here the moment he gets his grip.
     
    This part here. His hand can move around a lot, but its root, the shoulder, doesn’t move that much.
     
    So if you place your foot here, it won’t slip off that easily.
     
    One more time.
     
     
    3105
    He gets the grip, foot here right away.
     
    Many people don’t feel in danger when their knees are controlled.
     
    But it’s actually very dangerous, so as soon as you partner makes a grip, get the foot in there.
     
    3126
    And next, to deal with his other hand, bend your knee and grip his sleeve.
     
    If you extend your leg, his grip will come right off. Just like breaking a grip in tachi-waza.
     
    One more time.
     
    3148
    Just like this…
     
    And in reality I would go on the attack here.
     
    People often say, “It’s not good to be flat on your back. Sit up!” But actually this is a thoroughly offensive position.
     
    When defending, I think it’s better to have your back on the ground so your hips can move freely.
     
    One more time.
     
    3226
    People usually turtle up to defend in newaza. As much as possible, square up with your partner, facing him head on, and learn how to defend using your legs.


    Freeing the Leg:


    3242
    Freeing the Leg (Passing a Stalling Half Guard)
     
    3245
    A big problem in groundwork is freeing the leg.
     
    However, in today’s judo if you don’t get the leg out smoothly the referee will call mate.
     
    That’s why it’s essential to practice doing so quickly and efficiently.
     
    Let’s get started.
     
    3309
    To begin with, though it won’t actually happen like this, I have my partner apply niju-garami (lockdown) from this position.
     
    Just like this.
     
    Next, you place your knee on your partner’s hip bone.
     
    Once you’ve done that, you collapse yourself onto your partner like this.
     
    3340
    By taking this position, I can push my partner’s legs below my knee.
     
    When you use your legs like this, your partner won’t be able to trap your leg above the knee, i.e, around your thigh.
     
    3400
    Just like that. However, if your leg is extended…it will get wrapped up very deeply.
    Getting your leg out when it’s trapped above the knee like this is extraordinarily difficult.
     
    I think it’s pretty much impossible to do in shiai today. Mate will be called.
     
    3420
    Your partner’s aiming to wrap around your thigh, so if your leg is going to be trapped, at least make sure it’s below the knee.
     
    This is a very important position.
     
    3435
    One more thing…make sure your knee and shine are parallel with your partner’s thigh like this.
     
    I see this kind of thing a lot, but this is very bad form.
     
    He’ll work his legs up and get my thigh.
     
    During practice, always use this leg position and try to keep your partner from getting above your knee.
     
    3509
    With that, I’ll move on to how to actually get your leg out.
     
    First…I grip my partner’s pants below the knee.
     
    If you grip there, his pants won’t ride up past his knee.
     
    If you grab right at the knee, your grip will slide up to his thigh.
     
    You won’t be able to use your strength effectively.
     
    3538
    Always grip below the knee…like this.
     
    When you pull up, it will stop right at his knee.
     
     
    3548
    While pulling on his top leg, I’m going to kick his bottom leg, but first I bring my knee out like this.
     
    With the sole of my foot, I give his bottom leg a good kick…like this.
     
    One more time.
     
    He gets my leg.
     
    I bring my knee out.
     
    3625
    And now I push his thigh off my leg with the sole of my foot…so that I end up in this position.
    3636
    That’s one method.
     
    Another case is if my opposite leg is trapped.
     
    It’s the same thing here.
     
    I make sure my trapped leg is pressed against my other knee.
     
    I make this shape…and prevent my thigh from being trapped.
     
    3702
    Like this, only my lower leg is trapped.
     
    I’ll explain how to free the leg from here.
     
    As before, I grip my partner’s pants.
     
    3721
    While pulling his leg towards me, I push strongly against his thigh with my left foot.
     
    …And I get my leg out like this.
     
    When you free your leg, be sure to keep your grip on his knee.
     
    3740
    If you release the grip after freeing your leg, he’ll use that leg to bridge into you.
     
    3752
    So, by keeping this grip…
     
    I can stop his bridge. He can’t use this leg anymore.
     
    Even if he does manage to use it, you’ll be able to maintain your balance.
     
    So keep a hold of this knee.
     
    3816
    Also, from this position I can trap his hand before freeing my leg.
     
    We’ll practice this more in the next section, but all you do is quickly get your top hand under his arm, wrap it up, then grab his knee as before and kick his legs off you.
     
    3850
    I believe this is the most effective way of freeing the leg.
     
    But if you can’t get it out no matter what, if he’s got your leg in niju-garami, you’ll need another technique to transition to.
    3913
    Shime-waza (chokes) are a typical technique in this situation.
     
    As one example, from this position I pull my partner towards me and get a deep grip on his collar.
     
    And then, using my elbow, I work myself into this space, put my weight on him, and use my flank to finish the choke.
     
    3939
    One more time.
     
    Pull him towards you, get a deep collar grip, and then hug him under your armpit and apply your body weight.
     
    Also, you can hug his neck and go for sode guruma-jime (ezekiel).

    Grab the edge of your sleeve, pull it down towards your wrist, and quickly apply the choke.
     
    4014
    One more time.
     
    I can’t get my leg out.  
     
    I hug the neck. I get a grip on my sleeve, pull it down to my wrist, and then insert my wrist to choke.

    4040
    You’ll definitely need techniques to deal with being trapped in niju-garami, or another situation where you simply can’t get your leg out.


    Trapping the Arm:


    4051
    Trapping the Arm
     
    4053
    Now we’ll practice tying up the opponent’s arm.
     
    Trapping the arm in this way will open a door to many other techniques in groundwork.
     
    We’ll start with the basics.
     
    First, I straddle my partner’s head with my knees, like this. A basic underhook position.
     
    4117
    From here, I lock my fingers together with an S-grip and switch to an underhook with my other arm.
     
    I grab the gi and tie up his arm.
     
    4138
    One more time.
     
    In reality, my partner will be pinching his elbow to his side.
     
    I won’t be able to get my hand out that easily.
     
    And if I do get it out, my other hand won’t get in.
     
    Therefore I lock my fingers together like this, switch hands…and lock my wrist in place.
     
    4201
    If you grab your partner’s wrist…
     
    you’ll have to let go to grab his gi and he’ll escape by extending his arm.
     
    So when trapping an arm, I usually do not grip my partner’s wrist.
     
    I control like this.
     
    4218
    If you do it like this you can use your hand.
     
    And then find the best grip on the gi and pull it over his arm, sliding your hands together so there are no gaps.
     
    One more time.
     

     
    Just like that.
     
    4242
    Next, have your partner hold his arm up in the air like this…
     
    And practice wrapping it up from this position.
     
    Just like this.
     
    If I slow it down, from here I replace one arm with the other…like this.
     
    In reality I would then put pressure on my partner…using my body weight.
     
    And then, leaving no space, wrap up his arm.
     
    4318
    That’s the basic drill for practicing this technique.
     
    Next let’s look at how you can use it in an actual situation.
     
    4331
    Before we were talking about getting the leg out from a position like this.
     
    Let’s practice trapping his arm from here.
     
    4342
    First I flare the elbow of my underhooking arm to make some space.
     
    At the same time I lock my fingers together and switch my arms like before.
     
    Here I can control my partner’s arm.
     
    4402
    I get the hem of his gi jacket and slide it over his arm, staying nice and tight.
     
    4410
    Sometimes the opponent will hug your leg like this.
     
    This is an excellent opportunity to trap an arm.
     
    From here, I make my s-grip…
     
    and now I can trap his arm.
     
    4436
    By doing this, my other hand is freed up.
     
    And to get the leg out I then get my grip on his pants and kick his leg off.
     
    4457
    You should also practice trapping his arm when it’s up in the air.
     
    Like this.
     
    4513.
    You need to be quick, so do lots of reps of this movement.
     
    4521
    Sometimes you do grab the wrist, however, like when going for ude-garami (kimura).
     
    To defend, my partner may grab his belt. When this happens you can easily trap his arm.
     
    One more time.
     
    I go for ude-garami, he grabs his belt, and I trap that hand.
     
    4554
    There are a lot of other situations where you’ll have a chance to trap an arm like this.
     
    Let’s go over some.
     
    4603
    Sometimes you grab a turtle opponent’s wrist to try to put him on his back.
     
    My partner switches his base (koshikiri) to defend.
     

     
    This position.
     
    He grabs his own belt or gi to prevent me from getting his arm.
     
    When this happens you can quickly grab the hem of his gi jacket with your left hand and pass it to your other hand to trap his arm.
     
    Just like this.
     
    4638
    Once you’ve done that, put an arm between his legs….
     

     
    And you can turn him over like this.
     
    4703
    Or, if you’ve managed to pull his hand out this far…
     

     
    You can trap his arm from behind.
     
    4728
    Once you’ve got this, one hand is now free so a lot of different attacks become possible.
     
    For example…
     

     
    You should be able to turn him over and move into a pin.
     
    4745
    In addition to that, when going for a joint lock, for example…
     

    4755
    When your partner makes a very strong defense and you can’t get the armbar…
     
    Switch hands and, while keeping pressure on your partner, pull the gi over to trap his arm.
     
    From here I get up and move into a pin.
     
    4826
    You can also trap an arm when going for a choke.
     
    I attack and my partner defends like this.
     
    From here…
     
    I grip the hem of his gi…and trap his arm.
     
    4848
    From a more realistic position…
     

     
    Like this. I go for the choke.
     
    From here I extend my hand…
     
    And get the front hem of his gi…like this.
     
    Once you have the arm trapped…
     
    You can transition to the armbar.
     
    4928
    As you can see, ion groundwork there are lots of opportunities to trap an opponent’s arm.
     
    Try to come up with some yourself.


    Osaekomi Tips:


    4941
    Essential Points for Mastering Osaekomi-waza (pins)
     
    4946
    All Osaekomi-waza are based on two essential points
     
    1.    Using your power to immobilize one part of the opponent’s body.
        
    2    Maintaining your balance.
     
     Mai
    4957
    Five Tips for Maintaining Control
     
    1.   The belt is essential (grip with the thumb inside the belt).
     
    2.   Once you have a pin, always remind yourself, “adjust, adjust.” (If the opponent moves, your control is reduced; always maintain the ideal position).
         
    3. Feel what the opponent is about to do (maintain your balance by anticipating his movement).
     
    4.  Use the appropriate pin for your body type (just as is the case with nage-waza).
     
    5.  Pulling power, back strength, and flexibility are the three elements of groundwork (strength is also a technique; don’t neglect conditioning).
    avatar
    Old Chestnut

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    Post by Old Chestnut on Thu Jun 13, 2013 4:48 pm

    Great! Will you be uploading this as an .srt file?
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    Taohn

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    Kashiwazaki Ne-waza instructional video.  Empty Re: Kashiwazaki Ne-waza instructional video.

    Post by Taohn on Wed Jul 10, 2013 5:54 pm

    Old Chestnut wrote:Great! Will you be uploading this as an .srt file?

    Probably not...I don't know how and I've already broken it down into 20-30 second segments, so I thought it'd be easy enough someone more familiar with that stuff.

    Anyway, here's the next part:

    Attacking the Turtle:
    5038
    Part 2: A Selection of Attacks by Position

    5043
    Attacking the Turtle

    5048
    Following up After Stuffing Harai-makikomi, Etc.

    5053
    So now I’ll explain how to attack after stuffing techniques like harai-goshi or uchimata.

    5106
    I stuff his throw and get this position.

    I quickly grab his belt.

    This is to prevent him from standing up.

    5117
    As I pull him towards me… pincer his neck with my leg.

    I quickly get an underhook and move into YSG (side control).

    5138
    Next I’ll explain another attack from the same position for when the opponent closes his elbows and makes a strong defense.

    As I pull up with my hand I set my leg against his neck to raise him up.

    Be sure to keep a tight pinch.

    Stay tight and…



    Finish with the armbar.

    5221
    When you turn your partner over, it is very effective to hook your right foot inside his knee.

    5248
    Next, if he tries to block my leg with his hand, I take a big step around and put my foot under his armpit.

    I pull him towards me…

    Quickly trap his arm…go for a joint lock…or pin him in YSG.

    5333
    If your partner lies flat…When this happens plant your foot on the tatami…and grip here on his pants.

    Around the knee is best.

    From here, pick him straight up.

    You can then trap the arm and pin him.

    5412
    Again, if he’s flat I can go for the armbar like before…

    Squeeze tight…and pick him up.

    I make sure my right leg is glued to his chest.

    Then hug the arm…

    And finish with the armbar.
    5438

    Obitori-gaeshi:
    Obitori-Gaeshi (Belt-Grab Reversal): Transitions and Variations

    5442
    I’ll now explain how flip over an opponent on all fours using obitori-gaeshi and some variations.

    My partner defends on all fours.

    I make a strong grip on his belt.

    I push aside his head with my knee and drop it to the mat.

    I insert my hand along with my knee to take an underhook…

    And get this position.

    5518
    Here I make sure not to bring my elbow inside.

    I open my right elbow wide, enough to reach the outside edge of his shoulder.

    Like this.

    5535
    Then I kick the mat with my left leg and flip my partner over sideways.



    As he goes onto his back, I enter into YSG.

    5555
    Of course you can transition to TSG as well.

    5615
    This is a variation for when my partner defends by posting his hand and foot.



    First, as before, I try to turn him over sideways.

    I commit to the motion enough for my body to come off the mat…I make this position.

    My partner will resist…When that happens I step in deep underneath him…

    Roll him straight backwards and finish in TSG.


    5656
    Once more from a different angle



    My partner resists. I try to flip him sideways to get this position.

    And from here…

    Flip him over backwards into the pin.

    5732
    If the opponent is strong, he might try to stand up.

    I use this technique when that happens. He stands up...

    I go with it and push him over backwards…

    Into this position.

    5806
    Another option for when he defends against being flipped over sideways…

    In this situation I release my right hand…

    And underhook him like this.

    Immediately I wrap his torso with my legs.

    I grip my own sleeve, then his sleeve with my other hand…

    Switch my hips (koshikiri)…come on top, and quickly bring my left leg up.

    And then I apply a joint lock.

    It’s very important to raise this leg.

    5849
    You can use this joint lock in another situation.

    My partner flattens my knee and moves in to attack.

    At that moment I underhook his arm…and, as before, grip my own sleeve, then his.

    Swith my hips, kick with this leg, and come on top.

    Raise the left leg quickly…and finish with the joint lock.

    5924
    I’ll now explain what to do if your partner has his elbows closed tightly and you can’t get the underhook.

    Just like before, I grip the belt and move his head aside with my knee…and get this position.

    Here I make sure my instep is flat on the mat. Like this.

    I grip his pants a little below the knee so that they stop right at the knee.

    I pull him towards me, then back the way he came and put my leg between his.

    This position.

    (1 hr +) 0006
    Most opponents will hug your leg, so from here I quickly underhook the arm…and trap his arm.

    Watch the basics section again for the discussion of this techniques.



    Nice and tight.

    From here, I grip his knee again…

    pull and kick just above his knee with my free leg. This position.

    Open his legs, hide mine, and pin in this position. I keep my grip on his pants.

    This is because I can prevent him from bridging.

    0107
    You can use this same technique when your partner is on all fours.

    Get a strong grip on his belt…

    Push his head aside, and get a good grip here, right at the knee.

    Put my instep on the mat…pull him towards me, then back…

    Into this position.

    While staying alert, underhook his arm, and trap it.

    While pulling his top leg towards yourself…and pushing his bottom leg down…

    Get your leg out. And keep the grip on his leg.


    0207
    There are many other techniques for when you can’t underhook the arm.

    Here’s one:

    I grab the hem of my partner’s gi jacket like this, pass my left arm across his belly, and hand it off.

    Like this.

    One more time.

    Pull and pass it to my other hand here.

    By pulling up with my arm I can now apply leverage to his hips, so I grab the belt…



    And turn him over like this. Immediately come on top.

    316
    You can also grip the ends of his belt instead.

    327
    Insert your hand under his arm (from the front)…

    Like this. And then grab the ends of his belt like this.

    357
    From this position I pull him towards me…and turn him over.

    Release the grip and underhook his arm.

    407
    If you just can’t seem to get an underhook…

    You can use obitori-gaeshi by going and his armpit and getting a deep grip on the far lapel, like this.

    431
    I get into this position and then use my legs just as I did before.

    Your opponent will hug your leg, so immediately get the underhook, trap his arm, and free your leg for the pin.

    451
    These techniques---grabbing the ends of the belt, the lapel, etc---lose about twenty or thirty percent efficiency, but you can use them when you can’t get a deep underhook.

    Drills for Obitori-gaeshi:
    512
    When using obitori-gaeshi, especially when flipping the opponent over to the side, using your arms and legs in conjunction will prove very important.

    So now I’ll go over some drills to develop that coordination.

    I have uke take this position.

    534
    I set my elbow and upper arm firmly on top of his thigh. Lock my hands together and…

    Using my knee as a spring to elevate my body…

    I kick strongly. This is how you can practice.

    Get into the habit of looking in the direction that you reverse the opponent in.

    616
    Next I take an underhook and practice turning my partner over from this position.

    As before, I point my knee up and flip him over as if I was kicking the tatami.

    642
    This is a very important drill.

    646

    Crocodile Rolls:
    646
    Crocodile Roll to Pin

    650

    I’ll now explain a effective variation of obitori-gaeshi to turn the opponent over sideways if he is expecting the technique we’ve been practicing thus far.

    When I grip his belt like this and go to underhook his arm, he’ll pinch his elbows to his side to defend.

    I take advantage of that movement.

    737
    Once more from a different angle.

    At the moment my wrist goes into his armpit…I throw my body underneath his.


    752
    From here I quickly switch my base and move into YSG.

    810
    Next, I’ll demonstrate this same technique in a situation where I have a grip under his armpit like this.

    827
    I get a strong grip.

    838
    This time, I insert my arm from the outside. As before, he’s going to close his elbows and I time my technique to take advantage of that.

    Attacks from Behind:
    900
    Attacks from Behind

    904
    Now I’ll introduce a few techniques to attack a turtled opponent from behind.

    913
    First, I position myself directly behind my partner (with one leg inside). I grip his lapel from under his armpit.

    924
    After I get my other leg inside, I roll on the diagonal as I thrust my arm down from the front.

    944
    I pin my partner in KKSG.

    One more time.

    1000
    Pulling him tight to me…

    I spread his legs, switch my feet (hooks), and turn him around.

    1018
    I make a strong grip on the front of my partners belt.

    And by closing my elbows I prevent him from turning to his belly.

    1041
    For the next technique, I grip my partner’s lapel as before.

    From here I roll…

    And thrust my hand behind his neck.
    1103
    I quickly get up and finish with TSG.

    1113
    One more time.

    I grip his lapel. At the same time…

    I roll and move into TSG.

    1140
    For the next technique…I come under my partner’s arms to grip both lapels.

    I roll…and get into this kind of position.

    1205
    I hold him down with KSG.

    1210
    For all these techniques, make sure the opponent doesn’t trap your leg during the roll.

    1222
    If you get your leg wrapped up here you won’t be able to get it out.

    1231
    Therefore…during the roll…so that he doesn't get my leg…

    I lift him up and, kicking off the mat…I position myself like this.

    1253
    I make him roll over…and get chest-to-chest to finish with TSG.

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