The following is an interesting recording which contains a part demonstration of nage-no-kata and one of kime-no-kata. It isn't exactly clear when it was recorded, but I assume it dates back probably to somewhere around 1980. The kata by no means are free of errors, but that is not the reason for posting them. I think they are interesting because when wondering how kata today has become so artificial. Here are just a couple of things to look for:
- In nage-no-kata, the awkard delay that is so common today, where the uke is put on your shoulders while tori holds him there and waits for something to occur ... is no where present in this demo. Indeed, when kata-guruma was still performed as a guruma, there obviously was no pause in the throw. What they do today makes no sense.
- In both the nage- and kime-no-kata the annoying constant adjustment of the gi is nowhere to be found. I think there is one instance in kime-no-kata where uke adjusts his gi here, but all in all the constant adjustment is not there. Why is it that jûdôka in the 1970s and 1980s could perform and entire kata without having to adjust their gi whereas today the average jûdôka cannot without adjusting his gi after every technique.
- In kime-no-kata, the awkward posing which has become some strange standard today, is still completely absent.
- In nage-no-kata, the awkard delay that is so common today, where the uke is put on your shoulders while tori holds him there and waits for something to occur ... is no where present in this demo. Indeed, when kata-guruma was still performed as a guruma, there obviously was no pause in the throw. What they do today makes no sense.
- In both the nage- and kime-no-kata the annoying constant adjustment of the gi is nowhere to be found. I think there is one instance in kime-no-kata where uke adjusts his gi here, but all in all the constant adjustment is not there. Why is it that jûdôka in the 1970s and 1980s could perform and entire kata without having to adjust their gi whereas today the average jûdôka cannot without adjusting his gi after every technique.
- In kime-no-kata, the awkward posing which has become some strange standard today, is still completely absent.