1) What is the "kata culture" like around you?
2) If there is none, what is your impression of kata?
Discuss.
-Ben
Last edited by Taiobroshi on Fri Dec 28, 2012 12:43 pm; edited 1 time in total (Reason for editing : Topic title typo.)
Taiobroshi wrote:To add something to the discussion, Oishi Judo in NYC warmed up with Ju no Kata while I practiced there. It was... interesting. I'm very into teaching methods in judo, but it seems like many of you are suggesting travel and isolated practice as a way to learn kata. Even if your dojo had an experienced kata "dude," do you think that kind of instruction fits into the modern way of doing judo classes (2-3 hours a session only?).
I've had a similar discussion with other young instructors about the costs and benefits of doing separate classes on katame waza as opposed to trying to split it 50/50 in a relatively short session.
Taiobroshi wrote:To add something to the discussion, Oishi Judo in NYC warmed up with Ju no Kata while I practiced there. It was... interesting. I'm very into teaching methods in judo, but it seems like many of you are suggesting travel and isolated practice as a way to learn kata. Even if your dojo had an experienced kata "dude," do you think that kind of instruction fits into the modern way of doing judo classes (2-3 hours a session only?).
I've had a similar discussion with other young instructors about the costs and benefits of doing separate classes on katame waza as opposed to trying to split it 50/50 in a relatively short session.
Blacksmith wrote:Taiobroshi wrote:To add something to the discussion, Oishi Judo in NYC warmed up with Ju no Kata while I practiced there. It was... interesting. I'm very into teaching methods in judo, but it seems like many of you are suggesting travel and isolated practice as a way to learn kata. Even if your dojo had an experienced kata "dude," do you think that kind of instruction fits into the modern way of doing judo classes (2-3 hours a session only?).
I've had a similar discussion with other young instructors about the costs and benefits of doing separate classes on katame waza as opposed to trying to split it 50/50 in a relatively short session.
When I suggested going to a clinic, I was not suggesting that was the ONLY way to learn kata, but I think that it is the same principle as any other type of clinic. You go where the expertise is to learn, and come back to your dojo to refine and share the technique. In my opinion, kata seems to have fallen out of favor other than as a means to promotion - so it is rarely practiced. Because it is rarely practiced, few know it well enough to teach it well... and the circle continues.
I think that in the dojo, kata probably has a place in the lesson rotation, not sure if it is on a weekly basis as you mentioned.
I was introduced to kata seriously as an ikkyu who needed it for shodan when the time came. Along the way, my partner and I decided that we liked it, and look at is as an avenue to compete well past our active shiai days. Just my .02 for what its worth.
kelly pa wrote:I’m posting here with some trepidation. The Kata forum in the other forum became nothing but an argument about kata competition. I’m a Kata competitor – and Kata practitioner – and judoka – all at the same time. Some posts on this thread have already started to take up the old arguments, and I have no interest in going through all that again. I’m happy to talk Kata – and especially because I now see my old friend Heiko here, I’ll come and talk. However, if the conversation turns to kata competition – good or bad, then I have no interest.
Heiko raises a good point – Kata can and should be part of a regular class. At our dojo we try to incorporate it often (even just one or two techniques – it’s a common mistake to think that you must do the entire Kata of whatever you are practicing each time you work on it. Doing just one technique is OK), and we also have specific and separate Kata classes for those who want to spend more time on it. There are so many ways to start – clinics, instructors, even just trying your own work and fumbling, making mistakes. The most important part isn’t to start in any particular set way and be perfect from the get-go. The most important part is just to start. In any way. You can build from there.
BTW – when I tried to register here, my other username (Kelly) was already taken. Another Kelly here?
Regards,
Kelly
Kelly palmer wrote:Hi Mike – good to hear from you, and I hope all is well. I too have modified my views based on points raised by you, and others. I also know that you and I will agree to disagree on certain things, and I’m OK with that too. You have a wealth of knowledge at I’m willing to listen to, and I’m a Kata fool – just can’t stop doing it. I rang in the new year by doing some Ju No, Katame and Nage. Oh yes, I had a beer too!
Let’s discuss Kata, raise ideas and debate – I’m good with that. But let’s you and I leave alone the discussion about whether Kata competition is good, bad, the devil incarnate, or the savior of civilization as we know it, or something in between. We’ve both seen that movie, and there’s nothing further to add there. I’m thrilled to talk Kata, but I won’t enter any further discussion about the aforementioned topic. Been there, done that.
You stay well now, y’hear!
regards,
Kelly
Taiobroshi wrote:
Kata is not anexhibitionof judo. Kata is not a stone written choreographed piece of theatre where each person knows what the other is going to do. Kata is a live work shop where both uke and tori can learn, refine and practice there attacks and escapes.
Kata can only be of value IF it is taught properly and practiced as it should be.
In terms of katame no kata. I have a question for you all. Of what significance-value is there to tori holding uke in KKG and uke making three know escape actions? Both acting like dummies and performing nothing more than something that looks like judo? How would that be of benefit? Shiai is not like that and kata is a tool of shiai!
Toward the last few months of my teaching, one of my pupils took sho dan and during the years running up to this point his uke would do all he could to escape the holds of tori. I have seen tori in tears from frustration thinking he would never get to the point where he could hold his uke for 5 osae waza and maintain that hold despite the great genuine efforts of uke to escape. Time passed and uke started to fail his escape attempts and after several hundred practices tori could hold uke 99% of the time. I then changed his uke!
I suggest to start you place to one side the reigi and moving actions and concentrate AT FIRST on the bones of the KNK.
When you advance to the next five, shime waza, ensure your uke never submits until the waza works, same goes for the last 5. THEN study what made them work and what made them fail. Now how can such an exercise NOT be of benefit to randori and shiai?
NO THEATRE. Not a false move in the series. Make it real and don't make it pretty or ornamental, make it functional and make it work. After some months of this we can discuss the frame work and why that is also vital to the development of the judoka in terms of shiai and randori.
Here to help if I can,
Mike
Hanon wrote:Taiobroshi wrote:
Kata is not anexhibitionof judo. Kata is not a stone written choreographed piece of theatre where each person knows what the other is going to do. Kata is a live work shop where both uke and tori can learn, refine and practice there attacks and escapes.
Kata can only be of value IF it is taught properly and practiced as it should be.
In terms of katame no kata. I have a question for you all. Of what significance-value is there to tori holding uke in KKG and uke making three know escape actions? Both acting like dummies and performing nothing more than something that looks like judo? How would that be of benefit? Shiai is not like that and kata is a tool of shiai!
Toward the last few months of my teaching, one of my pupils took sho dan and during the years running up to this point his uke would do all he could to escape the holds of tori. I have seen tori in tears from frustration thinking he would never get to the point where he could hold his uke for 5 osae waza and maintain that hold despite the great genuine efforts of uke to escape. Time passed and uke started to fail his escape attempts and after several hundred practices tori could hold uke 99% of the time. I then changed his uke!
I suggest to start you place to one side the reigi and moving actions and concentrate AT FIRST on the bones of the KNK.
When you advance to the next five, shime waza, ensure your uke never submits until the waza works, same goes for the last 5. THEN study what made them work and what made them fail. Now how can such an exercise NOT be of benefit to randori and shiai?
NO THEATRE. Not a false move in the series. Make it real and don't make it pretty or ornamental, make it functional and make it work. After some months of this we can discuss the frame work and why that is also vital to the development of the judoka in terms of shiai and randori.
Here to help if I can,
Mike
Very interesting - nobody ever explained it to me like that before - the limited Kata experience I have it was almost like a kind of ritual,
genetic judoka wrote:better question, forget starting, how does one finish doing kata?
Hanon sensei, it's good to have you sharing your knowledge again.
genetic judoka wrote:better question, forget starting, how does one finish doing kata?
Hanon sensei, it's good to have you sharing your knowledge again.
tafftaz wrote:genetic judoka wrote:better question, forget starting, how does one finish doing kata?
Hanon sensei, it's good to have you sharing your knowledge again.
You never finish a Kata. You should always be striving for perfection.Which obviously is beyond most of us mere mortals in our limited lifespans
little? I assure you, nobody who has met me in person has ever called me little!Hanon wrote:genetic judoka wrote:better question, forget starting, how does one finish doing kata?
Hanon sensei, it's good to have you sharing your knowledge again.
Hello little you!
Congratulations on the wedding, may you both love each other for the rest of your very long lives. Be friends as well as partners.
Not sure what you mean by "Better question, forget starting, how does one finish doing kata?"
Oh yes, how is your knee now? Ah also that harai tsuri komi ashi....Its all coming back to me now lo l
Bless,
Mike
genetic judoka wrote:little? I assure you, nobody who has met me in person has ever called me little!Hanon wrote:genetic judoka wrote:better question, forget starting, how does one finish doing kata?
Hanon sensei, it's good to have you sharing your knowledge again.
Hello little you!
Congratulations on the wedding, may you both love each other for the rest of your very long lives. Be friends as well as partners.
Not sure what you mean by "Better question, forget starting, how does one finish doing kata?"
Oh yes, how is your knee now? Ah also that harai tsuri komi ashi....Its all coming back to me now lo l
Bless,
Mike
thank you for the well wishes. getting married is easily among the best decisions I've ever made. that woman sure can cook!
I took off judo for a month (2 weeks before the wedding so I didn't mess up my face, a week after for the honeymoon, and the dojo was closed for the holidays, so I just got back on the mat on wednesday), and really I think that was what my knee needed to finish recovering from the surgery. the lumps of scar tissue are gone, and the knee feels great. I haven't gotten much practice with my favorite throw lately, but I intend to dust it off in class tonight.
unfortunately my computer was being funny and didn't let me put smileys into that post. I assure you, it was an attempt at humor. the only kata I've gotten first hand exposure to so far is NNK, and I love it. I find that if I work on it, and then finish the class with some randori, which an idea that Heikojr introduced me to when I attended his kata class (he's a great teacher BTW), the throws I land in that randori session are much prettier than normal. that alone is a good reason to stick with it. one of these days I wouldn't mind exploring Ju no kata a bit, but that one might be a bit beyond my current level.